Correspondences I (2019). I explored the technique of monotype printmaking, a method in which I paint directly on the printing plate. The result from one print is what brought the process forward, as I kept painting on the same plate without cleaning it in between prints. What’s left of the old print has formed traces of the past in the ones that follow. Like memories. Like dreams. A way to search beyond and dare to get lost. The whole suite was shown in the group exhibition Esoteric Transition at Studio44.